"unsuppressed" meaning in All languages combined

{
  "etymology_templates": [
    {
      "args": {
        "1": "en",
        "2": "un-",
        "3": "suppressed",
        "id1": "negative"
      },
      "expansion": "un- + suppressed",
      "name": "af"
    }
  ],
  "etymology_text": "From un- + suppressed.",
  "head_templates": [
    {
      "args": {
        "1": "-"
      },
      "expansion": "unsuppressed (not comparable)",
      "name": "en-adj"
    }
  ],
  "lang": "English",
  "lang_code": "en",
  "pos": "adj",
  "senses": [
    {
      "categories": [
        {
          "kind": "other",
          "name": "English entries with incorrect language header",
          "parents": [
            "Entries with incorrect language header",
            "Entry maintenance"
          ],
          "source": "w"
        },
        {
          "kind": "other",
          "name": "English terms prefixed with un- (negative)",
          "parents": [],
          "source": "w"
        },
        {
          "kind": "other",
          "name": "Pages with 1 entry",
          "parents": [],
          "source": "w"
        },
        {
          "kind": "other",
          "name": "Pages with entries",
          "parents": [],
          "source": "w"
        }
      ],
      "examples": [
        {
          "ref": "2007 January 24, Ginia Bellafante, “’60s Prejudice and Capitalism as a Big Blond Metaphor”, in New York Times:",
          "text": "The entire tense, compact play takes place inside a subway car where an exchange between a flamboyantly loose blonde of about 30, Lula (Jennifer Mudge), and a conservatively dressed young black man, Clay (Dulé Hill ), escalates from surreally unsuppressed flirtation to violence and tragedy as all of Clay’s efforts toward assimilation are shown to be for naught.",
          "type": "quote"
        }
      ],
      "glosses": [
        "Not suppressed."
      ],
      "id": "en-unsuppressed-en-adj-8ZhJz1OZ",
      "links": [
        [
          "suppress",
          "suppress"
        ]
      ],
      "tags": [
        "not-comparable"
      ]
    }
  ],
  "word": "unsuppressed"
}

{
  "etymology_templates": [
    {
      "args": {
        "1": "en",
        "2": "un-",
        "3": "suppressed",
        "id1": "negative"
      },
      "expansion": "un- + suppressed",
      "name": "af"
    }
  ],
  "etymology_text": "From un- + suppressed.",
  "head_templates": [
    {
      "args": {
        "1": "-"
      },
      "expansion": "unsuppressed (not comparable)",
      "name": "en-adj"
    }
  ],
  "lang": "English",
  "lang_code": "en",
  "pos": "adj",
  "senses": [
    {
      "categories": [
        "English adjectives",
        "English entries with incorrect language header",
        "English lemmas",
        "English terms prefixed with un- (negative)",
        "English terms with quotations",
        "English uncomparable adjectives",
        "Pages with 1 entry",
        "Pages with entries"
      ],
      "examples": [
        {
          "ref": "2007 January 24, Ginia Bellafante, “’60s Prejudice and Capitalism as a Big Blond Metaphor”, in New York Times:",
          "text": "The entire tense, compact play takes place inside a subway car where an exchange between a flamboyantly loose blonde of about 30, Lula (Jennifer Mudge), and a conservatively dressed young black man, Clay (Dulé Hill ), escalates from surreally unsuppressed flirtation to violence and tragedy as all of Clay’s efforts toward assimilation are shown to be for naught.",
          "type": "quote"
        }
      ],
      "glosses": [
        "Not suppressed."
      ],
      "links": [
        [
          "suppress",
          "suppress"
        ]
      ],
      "tags": [
        "not-comparable"
      ]
    }
  ],
  "word": "unsuppressed"
}